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Chaturddha Murati
At the heart of Sri Mandir are four sacred forms: Sri Jagannath, Sri Balabhadra, Devi Subhadra and Sri Sudarshan. Together they are known as the Chaturddha Murati—the fourfold manifestation worshipped upon the Ratna Singhasana in the sanctum of Sri Mandir.
To the unfamiliar eye, the most immediately recognisable forms are often the three great wooden deities: Jagannath, Balabhadra and Subhadra. Yet the sacred configuration is not complete without Sri Sudarshan, whose distinctive form stands alongside them. The familiar triad is therefore encountered within a larger fourfold presence.
These forms are unlike the conventional anthropomorphic images found throughout much of Hindu temple tradition. Their appearance, material form and ritual life belong to the distinctive tradition of Sri Kshetra, Puri. Jagannath, Balabhadra and Subhadra possess their extraordinary characteristic forms, while Sudarshan is represented differently again. Together they constitute a sacred configuration inseparable from the ritual world of Sri Mandir.
The four principal forms are fashioned from sacred daru—wood—and their material embodiment is not regarded as permanently fixed. At prescribed intervals associated with Navakalevara, new sacred forms are fashioned and the old forms relinquished through one of Sri Mandir's most profound ritual processes. This extraordinary relationship between permanence and renewal is one of the defining mysteries of Jagannath tradition.
Jagannath Patrika therefore begins its introduction to Sri Jagannath not with Jagannath in isolation, but with the Chaturddha Murati in whose company he resides and is worshipped: Sri Jagannath, Sri Balabhadra, Devi Subhadra and Sri Sudarshan.
Sri Sudarshan
Sri Sudarshan—Chakraraj—stands with Sri Jagannath, Sri Balabhadra and Devi Subhadra upon the Ratna Singhasana of Sri Mandir. Although the sacred Sudarshan Chakra is widely known throughout Hindu tradition as the divine discus associated with Vishnu, at Sri Kshetra Sudarshan possesses a distinctive presence of his own. His form upon the Ratna Singhasana is not the familiar circular wheel, but an extraordinary pillar-like Daru form, immediately distinguishing Sri Sudarshan within the Chaturddha Murati.
The sacred literature surrounding Sudarshan reaches deeply into Hindu tradition. Odisha sources discussing his place at Sri Mandir draw upon the Vishnu Purana, Brahma Purana, Agni Purana, Padma Purana and Markandeya Purana, among other texts, in tracing the meanings and manifestations associated with the divine Chakra. The Skanda Purana, in accounts connected with Purushottama Kshetra, also speaks of Chakraraj Sudarshan alongside Jagannath, Balabhadra and Subhadra. Yet within Puri these scriptural dimensions meet a living ritual tradition in which Sudarshan is not merely remembered symbolically—he is served, worshipped and participates in the sacred life of Sri Mandir.
That living presence becomes wonderfully visible in some of Puri's greatest rituals. During Ratha Yatra, Sri Sudarshan accompanies Devi Subhadra upon her chariot, Darpadalana. These traditions offer only a glimpse of why Sudarshan's place beside the three more immediately recognisable forms should never be mistaken for that of a mere emblem or ornament.
Sri Sudarshan therefore opens another doorway into the mysteries of Sri Mandir—his Daru form, his relationship with the Chakra, his place beside the Lordships, his journeys, his seva and the scriptural traditions surrounding him. Jagannath Patrika will allow those stories to unfold as they should: one day at a time, one Sri Katha at a time.
Sources consulted include, but are not limited to: Odisha Review / Orissa Review, Government of Odisha, including Sudarshan Sahoo, “Sudarshan — The King of Wheels” (July 2005), writings concerning Navakalevara and Banajaga traditions, and material concerning the Chaturddha Murati and Purushottama Kshetra; traditional accounts and references therein drawing upon the Skanda Purana, Markandeya Purana, Vishnu Purana, Brahma Purana, Agni Purana and Padma Purana; and records concerning Sri Sudarshan's Daru and the 2015 Navakalevara.